Conspiracy Theory and Reason:
Regarding conspiracy-(theory), it doesn’t allow human achievements to be their own. Throughout modern history, anything related to events and achievements doesn’t grow organically but is orchestrated; this is a complex notion to grasp. Given human qualities, they associate themselves with society, no more than our capacity to imagine, invent, and create, etc. So, every time a conspiracy theory is acknowledged, it turns out to be true. It only reinforces a unifying world plan, and this unification is not ideological. And this impedes any notion of hope and idealism, or even creativity.
When our human qualities are summed up in this way or explained in this reduced manner, it weakens our thoughts and imagination. Therefore, our intuition is nothing but superstition. [This tends to think itself into isolation and delusion from this self-referential world. This weakness is a characteristic that caught Plato and Descartes’s attention. Of our six qualities, reason has the most significant difficulty working with others. What seems to be missing is the mechanism to reach out quickly to find what other qualities offer. Plato and Descartes misinterpreted this weakness as strength – a splendid isolation of superiority. They, therefore, set about interpreting delusions as reality. – John Ralston Saul]
So, we must not confuse weakness in reason as strength. Conspiracies in the forefront of people’s radar may very well be true, but within it. Like a filter, we must determine how to separate other qualities within the conspiracy (orchestrated or not). To determine what truth is and what is not because human qualities have shaped history and society regardless of being run by an Elite Order, for any commoner, the highest elitist will see is their bosses and managers at work. Otherwise, it becomes an isolated delusion. People are unaware of a higher conspirator power and, therefore, go about their days unaware of the background. The matrix (as a metaphorical concept of control) is an illusion, but people still have to live in it, awaken or not. People are still driven by their fears and happier in their weakness (akin to the Cypher effect); it offers them/us the illusion of certainty.
A theory is a system of ideas intended to explain something, especially one based on general principles independent of the thing to be explained. A hypothesis, but there has to be thought before all of that. And within thought, there is the fallacy of the unattributed end made clear by French philosopher Descartes; “I think therefore I am” a Parisian quip; if one were to finish the sentence, it becomes meaningless. What if the reason was thought: [“I think therefore I am” because I think in the context of others who have thought before me, now think all around me, and will go thinking after me. We may well be the only creatures capable of thought, but that can be said of all our qualities. And though only takes on significance because “we are” part of something which exists beyond us. Call it society. Our ability to extend our considerations beyond ourselves makes them think. Otherwise, what we are engaged in is just something more sophisticated than a normal animal activity – a quantitative, not a qualitative, difference. I would call this self-interest, not thought. Put another way: what is the implication of believing there is an underlying rational truth, a rational godhead? Well, since we have never come up with such a truth, despite having tried over the centuries, we are left with the ultimate meaning of ideology. That is, we insist upon treating speculation as a statement of absolute. – John Ralston Saul]
We do have some resemblance of what Godhead might be, but nothing to describe it as rational that’s impossible; that’s like trying to define the unknowable or putting a name on the unnamable Dao. Our disconnection from the Godhead stems from a spiritual loop, experiencing the shadows of our collective innermost until we can remember the centre again. And so parallels the story of Babylon and the Garden of Eden. Where humankind lost its connection to the Godhead, this loss of connection is perhaps the reactionary reason for the human attempt, with all its qualities, to reach God. The first is the Tower of Babel, then to modern-day Rockets. [But thwarted by the firmament, which is why rockets don’t go straight up, but in an arch].
In the film X-Men Apocalypse, there is a scene where Apocalypse takes over Xavier’s mind. Upon taking over Cerebro, he releases nukes through psychic power. This is a re-invention of the allegory of the fall of the Babel tower, trying to reach God’s realm but not succeeding. Apocalypse says: [after disarming the world of nuclear weapons by launching them] “You can fire your arrows from the Tower of Babel, but you can never strike god!” The image of rockets unable to reach outer space is a truth hidden in narrative storytelling. But, of course, it was Havoc that destroyed it.
| Apocalypse is the representation of the sun god Ra, Yahweh and (Jehovah), etc. it was the sun rays that woke him up. Another Apocalypse quote: “You are all my children, and you’re lost because you follow blind leaders. No more false gods. I’m here now.” Upon they showed elite governments and Corporation (globalists) a representation of a false steward over the world. …notice the three crosses representing the three kings/sisters an astrological marker for Orion. And it does show a curved Earth, but it’s what he says about not reaching God implies a closed system. |
A BBC documentary titled “How Art Made the World” specifies the unique human quality of creating and understanding symbolic imagery throughout human history. That started from early cave paintings – unlike “Ancient Aliens”, the show doesn’t give reason from its everyday societal imagery of hunting and gathering depictions. However, what prompted or inspired those activities? Could it be from witnessing a phenomenon we call UFOs, and from that, they became our new gods.
The beginning of Star Trek-Into Darkness depicts Planet Nibiru (an obvious link to Zecharia Sitchin’s Nibiru or planet-X, now its called planet 9. I’m still trying to figure out why they changed the name and position of the supposed hidden planet). The planet’s inhabitants, the Niburans, instantly changed their belief system (their religion) once they witnessed a spacecraft rising out of the seawater. So it’s a cargo-cult and new Watchers motif. The new Watchers are what I call humanity’s affinity to be like the Watchers (spiritual-angelic-technological beings) to simulate the old Watchers of old. And this has been an obvious motif throughout the Star Trek Series.
| JJ Abrams Star Trek-Into Darkness depicts the class M. Nibiru planet, which is in testament to the Adams calendar found in South Africa. Abram’s is always depicting the hexagon; it was also in ‘Star Wars Force Awakens’. Adam’s Calendar is said to be where the human species were created by […]. In ‘Rogue One’ an insignia depicts the megalith structure that’s in association with Orion’s Belt. The Hexagon is a sacred symbol that has links to our creation it can be found in the embryo egg cells. Nibiru’s landscape is reminiscent of vein like blood cells. |
One episode from the Star Trek series that comes to mind is an episode called “Blink of an Eye” from the Voyager series, a play on the title of an old episode called “Wink of an Eye”. The Starship Voyager, stranded in a sector of the galaxy tens of thousands of light-years from Earth, enters the orbit of a strange planet, only to find itself stuck in a “tachyon field” unable to escape. The crew then discovers that the presence of Voyager in the planet’s upper atmosphere is causing continual seismic activity on the surface and that the planet is inhabited by intelligent life at an early Neolithic stage of technological and social evolution. The planet’s unique feature is a time dilation component; time passes much more rapidly there than in the rest of the galaxy, including on Voyager itself: a second of general time corresponds to almost a day on the planet.
The show’s narrative showcases a vignette of the planet’s inhabitant’s growth as a civilization throughout the ages, from Neolithic to a futuristic civilization. Each vignette shows an archetypal quality. Overall, it’s about history and time and what it’s like to sit outside of time and watch as history unfolds. So, they’re Watchers by accident or curiosity, a sort of play on how humans can better play the role of Watchers. However, the inhabitant’s whole premise is the inspiration that took the form of intuition, allowing imagination to prosper without interference, aside from the first appearance of a Star, i.e., Sky-ship, which is in dichotomy to Watchers of Human myth, which possibly played a role as Watchers that influenced human’s stair step evolution in the Sumerian civilization. What the show implies is a thought experiment that, even without interference, human achievements can still be their own. The reason is true knowledge is pre-symbolic.
| Notice on the second panel depicts a planet with its magnetic/tachyon field, but the planet itself depicts a toroidal field within it. |
Voyager upholds their prime directive, initiates the doctor (EMH) to live among the people, and affirms this inspiration; Voyager’s presence encouraged invention, religion, science, art, and even children’s toys. It even inspired a space race among the inhabitants of various states. Who can get to the starship first with a rocket (which coincides with our space race to get to the moon first with a rocket)? However, there are shades of religion in the relationship between the inhabitants of that planet and the ship in their orbit. Blink of an Eye suggests that their interest is more spiritual. More on the notion of the New Watchers doing it better is within all the inspiration; it never inspired an inquisition or human sacrifice.
Genesis explains how the sons of God (Beni Elohim / Fallen Angels) found the daughters of men attractive, took them as wives, and had offspring that became Nephilim (giants). During this time of the deluge, God found all men’s flesh corrupt and their thoughts continuously evil. However, God found favour in Noah; he was righteous in his generation, meaning there was nothing wrong with his genetics. The new fundamentalist Christian ideal (inspired by non-canon texts) is that Lucifer campaigned with the Angels to do great sin. This deception is believed to be repeating itself in modern times as the new fundamentalist is ensuring the aspect of our human quality that embarks on ignoring morality, ethics, and reason by adhering to immoral programs like gene manipulation, Cern-activity and so forth. To strangely link it with a verse from Mathew 24:37;
| 37 | As it was in the days of Noah, so it will be at the coming of the Son of Man. |
This is an attempt to link something that has happened in the past and to compare the similarity of our human qualities in the present. And this is a bold claim, considering they weren’t there to make any significant comparison. It’s a doomsday or scaremonger mentality and has all the tropes of fundamentalism in it. You can say anything about the human quality up to this point; it would still fit under the banner of ‘son of man’ because it’s ambiguous.
The Epic of Gilgamesh is at least five thousand years old, and the translation of ancient cuneiform tablets confirms the Mesopotamian flood myth as an antecedent of the Noah story in the Bible. The Old Testament gave us formal elements of modern mythology and archetypes. The fundamentalist outlook on the flood is to make you focus on a linear, material, short version that leads to extinction, as opposed to a more timeless and synchronistic position. And that is death, or more precisely, we must die. The material goods keep us in denial – the boat is life, and all that matters is to keep our souls living. The message received by Noah and that of Gilgamesh’s epic in a dream: “Tear down your house and build a boat, abandon possessions and look for life despise worldly goods and save your soul alive.” And this is the timelessness of life, the essence of it.
For now, I don’t have any response to programs manipulating genes to create chimera other than agreeing it exists. Nor do I have a response to the concept of Lucifer campaigning to do great sin made evident by non-canon biblical records [I have to research more on it]. However, I do have some views on reason as thought. That Lucifer campaigned among other Watchers to do great sin is solely based on the assumption that Satan is Lucifer. The fundamentalist reasoning is entirely based on a standard religious doctrine of an all-inclusive quality – because Satan is not Lucifer, and it’s just a merging of two different archetypes, and their qualities have equal value, which makes it irrational. Irrationality has a habit of specializing in truth and giving it an absolute, which implies special access or privilege to the truth. [If you accept that reason is thought, then neither the universe nor nature is rational. They do not think or argue. Nor are they irrational since they make sense. Instead, they are non-rational. A better word might be that they are animists. – John Ralston Saul]
Lucifer is less of a deity and more of a conceptual representation of several ideas; Lucifer means ‘light-bearer’. It means rebellion, claiming god-ship, bringing enlightenment and mastering knowledge. The notion of rebellion is meant to be ‘cosmic’ in nature; it is about upsetting or doing something profound with the cosmic order. The demonization of the sacred feminine is based on the temptation of the Serpent Lucifer when Eve eats the apple in the Garden of Eden, which is only represented by the occult knowledge of the origins of Genesis – the origins of creation. Our fork tongue Serpent DNA magnetism, our slave race reconnaissance forever quarantined that takes away the light of Lucifer, the light of knowledge and casts him down to the abyss.
What separates Watchers from other angelic beings is that the ‘fall’ is the cornerstone myth of Western tradition and kingship. The Fall in Genesis depicts giants and the megalithic landscapes they were in, but having no records as to who built them – it’s suggested that the great flood explained why that evidence no longer exists. Coupled with that is the origin myth of man, which has been embodied with the divine spark, and in addition to that is the idea of descending beings and teaching spirits (Watchers), which is central to Western magic and witchcraft as well. Spirits that fell are spirits that teach the skills of civilizations, and they also teach the secrets of magic.
The powers ensure everything is played out to match a linear fundamentalist perspective. For example, 9/11 was an event; it’s also a bold statement to the world that it has begun. 9/11 seems to also coincide with revelation 9:11;
| 11 | And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon. |
Artist-Prophets, from Jack Kirby to the creators of the Simpsons and so forth, predicated the Twin Tower event and injected it through their work way before the event occurred. Does that mean they were part of the conspiracy? Not necessarily because we must acknowledge that mortality and timelessness exist and that our dreams link us to the collective unconscious. There are many access points to the unconscious, but dreams are the most common – and there are many versions of synchronicity. Art, stories, music, sounds, myths, actions, courage, fear, and ß the physical nature of our relationship to the non-human – Kirby managed to use animism creatively to reach within the synchronistic whole and so inject his awareness through comic book panels. And this is an intuitive act and the most practical of our human qualities. Imagination and intuition allow for the existence of a synchronistic timelessness whole. And to deny it sets you up for utilitarian mysticism and hero worship. And this is what the new/traditional fundamentalist- Christians love to do.
There should be enough shared knowledge now to convince people that the 9/11 event was a planned demolition – with all infrastructures, from media to major utilities, working in unison to create what was an elaborate hoax but a hoax with dire consequences. There is no need to rely on synchronicity or the intuitive act to determine the event’s truth for this particular event. Or even to point out an angelic destroyer responsible, a sense of scapegoating for the ones responsible. Enough logical evidence (thanks to the work of Dr Wood) has been gathered as shared knowledge, so common sense is enough for the truth to be revealed.
The conspiracy theory link is the elite powers that rule have built a Stargate where the Twin Towers fell. The Twin Tower event was said to be initiated precisely as part of a plan for a super occult ritual – so they could manipulate its power grid to build a freedom tower, ‘Uber Stargate’. It’s also a time-gate, a time-travelling device that will allow them to defeat the will of the universe. To delay the spiritual evolution and liberation of the human species – they can maintain control of the matrix they created, even at the price of being prisoners of a time loop.
And this is ripe with speculation as an absolute; I can’t help but feel conspiracy theorists are failed sci-fi storytellers using what successful writers do by adopting myths and events of the human experience/qualities. The only difference is they can code it better. It’s entirely too overt.
Lucifer’s campaigning among angels for great sin aside; the notion of ‘sin’ is somewhat different according to high physics, which is strangely Kabala in nature. The word sin comes from the word sine. The word sine in physics is abbreviated sin (y=sin x); in the diagram, the straight line represents linear time (as in life and death), and the wavy line represents the wavelength. Another wavelength closely follows the sine wave, co-sine (y=cos x), each represented as red and blue and interacting with time; one is time, and the other is space; both interact as time and space.
Red and blue incidentally represent the planet Saturn (Celestial), so why is sin evil? Because sin is the abbreviation of sin, you’re sinful (or born into natural sin) because you were born into a time, and when you’re born into time, you’re born into sin. Why does sin keep you away from the creator? Because here is ruled by time, the circle and space, the square, and the creator are timeless; there is no time where the creator exists; it’s a loop. And this is what you have to rise above it. In Romans 6:23
| 23 | For the wages of sin is death; but the gift of God is eternal life through Jesus Christ our lord. |
In the third dimension, time exists and also its container, the Cube; represented as a Hexagon – which is a Cube in two-dimensional form) and so time, given enough of it, destroys everything, metals rust, vegetation decay and so on. And this is why in revelation, the Beast is Saturn, and Saturn regulates time.
| The green wave is the Serpent, and the three axis: x,y,t represent the Cube: why am I going to hell when I die. In this scenario hell is time and space, and what is written in parentheses answers it (cos + i sin); where were you before that? There are many belief systems to indicate where you are before the next incarnation; Samsara-Wheel / source-point / void / heaven / Dao, and so on. |
This explanation is another way to understand other human qualities as strengths. In contrast, an eschatological explanation, while seemingly interesting, is bound by manipulation. Still, we have theatre and moving pictures to inject man’s greatest stories ever told, a more sophisticated telling unbound by manipulation, albeit the occasional propaganda. The Tree of Life is akin to the Kabalistic Tree of Life. The Old Testament is allegorical and a coded manuscript; it relates to high physics, its words coincide with the Fibonacci sequence – its stories are about reflections, light waves, atomic weights, gates, vibrations, and mathematics codes and so on. Light waves can be the process of spirals, cavitation, and sono-luminescence (the state of light coming from sound) known as ‘Star in the Jar’. Genesis is coded science. All of this is an attempt to explain that thing in the sky that creates the reality we live in – most believe it’s g(G)od, but the Gnostics believe in a True God, and it’s not that.
The debate about whether there is a divine being between a man and the creator continues. The scripture states, “The gift of God is eternal life through Jesus Christ, our lord.” Throughout history, Christ has always been associated with the Sun; in an astro-theological sense, Christ is the Sun. Perhaps Christ is a doorway/password upon death. And those that have reached Christ-consciousness have gained their password. And this makes the Sun a sort of soul-eater, Saturn, the depositor, and a time regulator. The soul-eater is somewhat reminiscent of Pac-Man as it aesthetically matches the progression of time like an analog clock.
The supposed Voyager spacecraft showed a hexagonal vortex feature in Saturn’s North Pole. It seems an artificial depiction of whether the Hexagonal Vortex is real or rendered (I leave that to you). It could have been put there on purpose as a hex on you or as a symbolic hint that what you perceive is real is nothing but simulation. The hexagon symbol in Saturn’s North Pole is a cymatic response and an electromagnetic fourth-dimensional intelligence. It can be seen in the representation of the Atom, snowflake, and honeybee hives, and it can be found in monatomic silver when magnetized. The hexagonal vortex can be re-created through cymatic frequencies. Saturn’s Moon’s supposed heat signature depicts a Pac-Man, another symbolic hint for the Sun as a Soul-Eater, i.e., Pac-Man, although I don’t know why they chose Saturn’s moons. Saturn’s Moon Mima is similar to Star War’s Death Star; I don’t know which came first, the film or the render. Another name for a Star is the Sun; Death-Sun – the Sun itself is said to have no fusion; it’s only in the flares you get fusion (alongside x-rays and microwaves and so on). The Sun is a transformer and converter; it takes in/out energy from another dimension (counter-space). The Sun is also known as the Black Sun because, within the cosmic plain in which the Sun resides, it’s not visible to the eye.
Alex Proyas’s film Dark City is a movie about a race of aliens called the Strangers who had mastered time and the physical world but were dying because they didn’t have souls. They needed the vital essence of spirit and created a simulacrum world to imprison and study the human soul so they could become one with it.
The strangers are worm-like creatures afraid of water and light. They parasitically use the dead as vessels. However, they’re one-dimensional, as they only choose Male corpses. The Strangers have the power to create worlds but cannot save themselves because they lack the feminine and natural virtues of balance.
| Mr. Hand resembles Da Vinci’s Vitruvian Man and is also a crucifixion pose. After his insertion; he has John Murdoch in mind/mine. The image outlined in red seems to be a three dimensional version of the Pac-Man the yellow Clock diagram on the left. |
John Murdoch is the man who would bring the sun to the Dark City; Murdoch (Oannes Marduk) is the Sun-God and solar Redeemer – he is awake while the whole city is asleep (at the Stranger’s command). The Strangers is akin to the Archons of Gnostic mythology, prison wardens of an imaginary world dressed like the Men in Black. The Strangers regularly assemble in their lair to perform the ‘Tuning,’ the telepathic ritual that maintains their control over this world. Mr. Hand is like Agent Smith in the ‘Matrix’; he is part of a collective but strangely has his own individuality. Mr Hand volunteers to insert memories that were supposed to be for John. When Scherber tried to inject those memories when John and everyone were asleep, John telepathically stopped him. Now, those old and new memories belong to Mr Hand, who uses them to try to find John.
Towards the film’s end, John Murdoch is taken underground where the Strangers reside. They wanted to insert their collective memories to be one with him. John steps down from his cross and has risen as the Sun god. He was helped by Scherber and the alchemical elixir that made him remember his full divinity. With his powerful realisation, he destroys the Strangers and their leader, Mr Book, by psyche means. When the battle of spirit has been won, he creates an ocean and a beach and restores the damages caused by the fight.
Both Mr Hand and Agent Smith (of The Matrix) represent being cast out of a realm upon having their own mission. Mr Hand casts himself out in trying to know what it’s like to be human but cannot fully understand it. Mr Hand and John Murdoch get crucified at the cross, i.e., the clock circle, the Pac-Man. Mr Hand, a similar archetype to Archons, is not bound by time like we are. We are essentially imprisoned by time, and Mr Hand and John Murdoch are crucified by time. Mr Hand wishes to know what it’s like to be human through sets of memories made via linear time, which he later finds out is an incomplete process. John tells him before opening a door filled with light from his own making – upon reaching his apotheosis and creating the Sun and Ocean. That being human can’t be found in the mind but in the heart.
[Dark City celebrates fertility and feminine principles. An apocalyptic struggle played out against the backdrop of solar fertility symbols specifically. Shell Beach is the object of a grail quest in the purest esoteric sense. The film starts out with a dead prostitute with a spiral carved in her breasts; the spiral is connected to the moon, water, the vulva and shells. The whore was often identified with the Great Mother in antiquity, and by killing a whore they are symbolically destroying the womb of creation. The strangers are murdering the very source of what they’re searching for. – Knowles C]
The Pac-Man imagery is The Matrix-Reloaded (the Pie in the Matrix); it’s less of a Pac-Man and more of Pi/Pie imagery; it is Pac-Man covertly. Matrix’s many premises are we live in a simulacrum of ones and zeros. The Pie signifies Pi – and according to Pythagoras, all is a number. Languages use a numbering system, especially ancient languages using sacred geometry hidden inside the language where the sounds of the words carry enormous power and can be decoded using numbers. Numbers are at the root of the language in the form of letters. So, a mathematical expression can also be written as words.
There is the London Eye and the Netflix show ‘The OA’ with its Saturn connection. The show is about a bunch of near-death survivors being kidnapped by a scientist trying to unlock the mystery of the other side by killing them through drowning and then reviving them again. Their resistance soon turned into acceptance when they realized they were given clues within each death. They scribe the messages on their skin to hide them from the scientists and act them out through interpretive dance. In particular, seen from the main character, Prairie, manages to unlock herself from her shackles to find clues and the experiment results. It’s later revealed by her capture (Dr Hunter), who has taken a fondness for her, and Prairie has Stockholm syndrome to her capture. She noticed a weird sound upon her death, a resonance. He determined that sound is the same resonance as the Saturn Ring makes.
[The OA has all the usual secret society tropes like death and rebirth, piercing the veil between dimensions, revelation within a cavern, an elite vanguard separated from society, super powers, transcendence through ordeal and a lord of the Underworld kidnapping a virtuous maiden. – Knowles C]
New-(traditional)-fundamentalists have a romanticism to end times, not towards the gradual ending, but an ending Hollywood perpetuates. Seeking such things is equal to believing in an alien invasion reminiscent of the film Independence Day; where UFOs ships are coming down to destroy cities. It’s beside them that end times are slow, and Alien invasions are insidious. They want the end to be quick, the quicker, the better – this kind of romanticism is not good. A linear perspective in faith is somewhat similar to Scientism’s hard belief in materialism. A more precise look at it is a sort of Faustian perspective, an unbridled ego or faith in the intellect, but in their religion, in the Christian-fundamentalist’s case.
The Christian view of man’s fall is that we screwed up early on, forcing us into a secondary position in the cosmic order. We are doing penance; we are cursed to the 19th generation by the fall of our first parents. Christ can redeem us, but it makes you feel guilty; do you deserve it? If you follow me, all your past deeds will be overlooked, so take your seat in eternity. Being saved implies a hand extended to you by a merciful god willing to overlook your life’s itinerary. And this is natural to thought. There is an unspoken relationship with the deity, which Christians know exists but won’t acknowledge. And this incidentally is the basis of magic.
This is why anything magic is heresy to Christians because it implies man (humanity) can command God to act, or the magician compels (as an act of giving and taking, with) nature to behave. By God’s virtue, he only completed 90 per cent of nature, and the rest is left in the hands of his brother. And this implies a relationship, meaning we are co-creators. Hermetica describes humanity as the brother of God. In the magical, occult view, human beings are not tainted by original sin; from this perspective, guilt is no longer there.
Michael Keefe.
… End of part five… to be continued
